Open window to the soul
By Charles Mitchell
So
much cinema in recent years has been dedicated to the holocaust that it seemed
that every angle of the World War II tragedy had been explored, Ferzan
Ozpetek’s .Facing Windows delves into the subject again
even though it glosses over it like Windex against a transparent surface.
The
movie is more about forlorn love, regret and voyeurism than it is about fascist
oppression. A married woman (Giovanna Mezzogiorno) wonders where the passion in
her life has gone now that she has children and a husband that has problems
holding down a job. During her quiet times spent smoking and washing dishes she
glances out of her kitchen window and sees the dark smoldering neighbor across
the street. She can’t help but imagine what it would be like to have him hold
her, kiss her and infuse her life with the excitement and danger that have
become just fleeting memories.
When
an old man with amnesia wanders into her family’s life it’s the stranger across
the street who helps her unravel the mysteries of the old timer’s past. While
they try to trace the history of the man’s lost love and piece together his
identity, the young pair grow closer. The motion picture works because Lorenzo
(Raoul Bova) and Giovanna, are so great at evoking chemistry that we forget
that these two have known each other for maybe two or three days. The mystery
of the old man (Massimo Girotti), and the lover he lost is fascinating to watch
unfold. However, I would have like to have seen some real intimate moments
between the two during the wonderfully edited flashbacks. Also, the beauty of
the protagonists is almost distracting.
Nevertheless,
the flick effortlessly juxtaposes the developing relationship with the one from
the past. And by at least acknowledging that the love that dared not speak its
name existed before Stonewall, Facing Windows in this instance, dared to
face the music.
Raoul
Bova and Giovanna Mezzogiorno evoke wonderful chemistry in Facing Windows

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